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The Black Arts Course
The Black Arts of Persuasion
Learn the Black Arts of Persuasion. Never be afraid of bad facts again. Learn what was never taught in law school. These arts are Black because they were black listed in the legal community. Ever wonder why lawyers have difficulty in communication with the average person. Learn here you will never think the same again about bad facts which could destroy your argument.
Module 1 | The Black Arts |
This module takes you on a journey into the "Black Arts of Persuasion." Learn how to deal with bad facts and why you are tuned to the wrong tactics in communication. | |
Unit 1 | 1 Introduction To the Black Arts* |
Unit 2 | 2 Black Art Rule- Facts Have No Importance * |
Unit 3 | 3 How I Came to Understand * |
Unit 4 | 4 Changing Bad Facts with the Black Arts* |
Unit 5 | 5 Influence and the Black Arts * |
Unit 6 | 6 Black Arts Storytelling and the Narrative* |
Unit 7 | 7 Black Arts Approach to Persuasion * |
Module 2 | The Second Stage of Black Arts - Moving Your Listener |
In this Module learn to transition your listener from passive decision maker to active believer. | |
Unit 1 | 12 Problems with Stories* |
Unit 2 | 13 Outline Tools- Story Cards* |
Unit 3 | 24 The Traditional Concept of Story versus Persuasion. |
Unit 4 | 11 The Story Triangle- The Teller |
Unit 5 | 8 The Fluid Program-Using Invention |
Unit 6 | 9 What Is Not Being Said |
Unit 7 | 10 Emergent Storylines |
Module 3 | Practicing the Black Arts |
This is a Short Return to the Roots of the Black Arts | |
Unit 1 | 14 Practicing A Story * |
Unit 2 | 15 The Tactics of Storytelling * |
Unit 3 | 16 Channeling Ideas * |
Unit 4 | 17 Oblique Language |
Unit 5 | 21 Idea Message |
Unit 6 | 18 Preventing Idea Remorse* |
Module 4 | Working with Ideas |
Learn how to use Ideas instead of Facts to Persuade | |
Unit 1 | 22 Build Unshakable Credibility |
Unit 2 | 23 Noting the Idea |
Unit 3 | 25 The Listener Reading |
Unit 4 | 26 Influencing Difficult People through Story |
Unit 5 | 36 Story Definitions |
Unit 6 | 27 The Story Triangle- The Listener |
Unit 7 | 28 Accessing "Common Sense" |
Unit 8 | 29 Why Use Story instead of Facts? |
Unit 9 | 31 Impact of Storytelling on the Listener |
Unit 10 | 32 Stories which are not effective Communication |
Unit 11 | 33 Storytelling and the Narrative |
Unit 12 | 34 A Writer's Secret |
Unit 13 | 35 Storytelling and Metaphor |
Module 5 | Using Ideas Strategically |
Using Ideas Strategically. Learn schemes to promote ideas to counter bad facts. | |
Unit 1 | 39 The Proposition of Ideas |
Unit 2 | 45 Listener Story Interpretation |
Unit 3 | 49 Presentation Pointers for Winning |
Unit 4 | 47 Only Four Major Plots |
Unit 5 | 46 Social Drama and Storylines |
Unit 6 | 44 Learning the Plot- The Search for Dramatic Logic |
Unit 7 | 43 Delivery Performance Anxiety Excitement and Fear Readiness |
Unit 8 | 42 The Goals of Rhetoric and Storytelling |
Unit 9 | 38 The Importance of Law and Ideas |
Unit 10 | 41 Truth and “Theory of Manifold Probablities. |
Unit 11 | 37 The Trouble with Facts |
Unit 12 | 40 The Parable of Truth- A Teaching Story |
Module 6 | Taking Your Seat in the Jury Box |
Learn how to take you seat in the Jury Box. | |
Unit 1 | 50 Planning your Narrative |
Unit 2 | 51 Storyteller Dos and Don'ts |
Unit 3 | 52 Ten Situations Where Facts are inferior to Narrative |
Unit 4 | 53 Story's Psychological Influence |
Unit 5 | 54 Taking your seat in the Jurybox-Where is the Plot? Learning the Plot |
Unit 6 | 55 Quotes -Commonplaces for the Courtroom |
Unit 7 | 57 Works Cited |
Module 7 | A Persuasion Primer |
Step back and learn the Ancient Roots of Persuasion | |
Unit 1 | 4 A Short History of Rhetoric |
Unit 2 | 3 The Canons of Rhetoric |
Unit 3 | 7 The Most Important Thing- (MIT) |
Unit 4 | 6 The Story Triangle |
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